![]() ![]() The result of this research composed factors and facilities that used to be created in a creative industry area, which could determine and develop the planning for tourism area based on creative industry in Indonesia. There were some stages in analyzing the data, that is by using likert scale and SWOT analysis. The products of tourism by using scoring range for the products through participative place making approach. This research used descriptive qualitative and quantitative as a method in analyzing. By doing this research, there will be model of planning for creative industry zone which produces a number of clothes as an effort to improve the quality of the area and culture in Palembang. This influences the number of visitors coming to this area. ![]() However, there were so many constraints, such as lack of planning and facilities needed for tourism development in this area. As one of tourism products based on creative industry, the area of Tuan Kentang has possessed five charateristics of creative tourism, i.e, tourists become part of the tourism progress, the existence of participative learning, interactive, informal, limited products, and has something to do with the local people. The area of Tuan Kentang 15 Ulu-Palembang is one of creative industry zones from fashion subsector which produces Jumputan and Tajung clothes which are known by many people. Keywords: Melbourne, Laneways, urban regeneration, a creative millieu, arts strategyĬreative industry has a significant contibution in increasing economy because it can create positive atmosphere in tourism sector. As for soft infrastructures, it outlines the role of policy makers with its creative planning regulatory and delivery a solid multicultural and tolerant community the role of universities and research hubs individuals and artists-led initiatives as well as the present of ‘middleground’ layer as significant attributes to foster creative spirit. From a set of policy, strategies and demonstrated initiatives such as Laneway Commissions, designated graffiti walls and Creative Spaces, laneways as a creative milieu is highlighted by a continuous intimate space for pedestrian network with active building frontages, some dull brick walls and heritage streetscapes that operate as hardware, a physical setting for various activities. Particulary, it will examine the establishment of a creative milieu in Melbourne laneways by unfolding hard and soft infrastructures attached to them. Through a descriptive discourse, this paper will share some experiences in creative collaboration and the making of place. Within the broad picture of urban regeneration in Melbourne CBD, laneways perform a significant character and roles as setting for small grassroot creative activities. The idea of a creative city introduces a set of preconditions for a place or a city which can generate ideas and inventions. ![]() Currently, Melbourne reclaims its center into one of the most liveable and emerging creative cities in 21 st Century. ![]() It has been arranged in a creative manner over decades by merging arts and cultural potentials into urban regeneration agenda. A city in Spain taped its decline by inserting a ‘gigantic’ building into the heart of Bilbao for boasting its global recognition, yet Melbourne started with modest things, revitalization of a fine-grain urban fabric - a gridiron plan with its lanes system - as a vital identity for the city. ![]()
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